Wednesday, November 10, 2010

Exploring Enameling

What is enameling? The most basic answer is the fusing of glass to metal. This is a specialized field requiring patience, attention to detail and lots of planning and preparation. I was surprised by the variety of enameling techniques practiced. Through my research, I found an article on Ganoksin (a jewelers online resource) about the early roots of enameling (by Dr. Panicos Michaelides - © Glass On Metal - Vol. 8, No. 2, June 1989). The earliest cloissonne enamels (enamel applied to cells of metal) were from the 13th century B.C. in Cyprus. I found this article fascinating and am intrigued by the detail and quality of work created thousands of years ago.

I am learning this ancient technique in my jewelry and metalsmithing class at El Camino College. I purchased Linda Darty's book, The Art of Enameling, to bone up on some basic information. I really like the book, it is informative for the novice and intermediate enamelist. The book features several projects and lots of photographs. Enameling is an art form that takes time and patience to master, but there are many easy enameling projects that don't require a high degree of technical skill.

My assignment is to create a cloissonne pendant with an abstract landscape design. It only took me a second to decide on my subject. I had just witnessed the most extraordinary migration of whales along the peninsula. There were hundreds of blue whales feeding on the abundant krill as they make their way north. This sight was a miracle like no other. I decided to create a landscape of a whale spouting water in honor of this beautiful creature's migratory trek to the arctic.


For my project, I sketched out a design and colored it to show what it would look like enameled. The colored sketch will help me in my selection of enamels from a variety of test tiles. These are the steps I performed:
1) Clean copper plate. Apply scalex to one side, let dry. On the opposite side, fire with a clear flux. Clean edges between each firing.
2) Apply silver foil to plate, fire
3) Outline the sketch with cloissonne wire
4) Apply wires to plate with glue, fire
5) Clean transparent enamels by washing thoroughly
6) Mix enamels with a little 50/50 klyr fire/distilled water.
7) Apply enamels, fire; repeat twice
8) Abrade the surface of the piece with an alundum stone under running water. Even out surface.
9) One last firing to create a vitreous finish
Clear flux and cloissonne wires fired

Fired piece before stoning













My next step is to fabricate a setting for my piece. I designed a frame with a scalloped edge to give the effect of clouds around the upper half and line stamped around the lower half to create the idea of rays of light penetrating the water. To tie in the idea of the whale's migratory trek, I cut out small discs and stamped 'N' for north and 'S' for south on them. I formed two half-round circles of wire and soldered them to the discs. This entire piece was soldered around the outer rim of the bezel. The back of the piece has a tulle roller printed design that looks like a fishing net. After soldering the bail, I sanded, polished, oxidized then set the enameled piece. Here's my finished piece.

Northern Migration
My sketch turned out well in the enamels with the exception of the yellow I was trying to achieve to represent sunlight along side the sky blue. Instead, the yellow turned out a muddy green. I realized later that I should not have mixed the colors together while wet and should have packed the yellow along side the blue instead of mixing them together.
 
Learning is about doing and making mistakes. Each step needs to be thought out to ensure success in execution. I am happy that my finished piece conveys my idea and design. Now that I have some basic skills under my belt, my next piece should be even better. I guess we'll have to wait and see!

Monday, November 8, 2010

Contemporary Crafts Market - Inspired Creations

Every November, I look forward to seeing fabulous art at the Contemporary Crafts Market in Santa Monica. It is an opportunity to replenish my creative well and be inspired by fine artistans. I just love the selection of artists at this show, the wide variety of crafts and the unique point-of-view of each artist. The show was already buzzing when I arrived on Friday at 10:15 in the morning. By noon, the isles were crowded with potential customers. Many of my favorite jewelry artists were showcasing their newest creations.




One of my favorite jewelers is Adam Neeley. He was featuring his latest creations fabricated from several colors of gold graduating in color from yellow to white. Adam alloys his own metal to create these one of a kind pieces. The color change is subtle, the effect luxurious. He is featured in the August 2010 Lapidary Journal magazine.

Cezua, another jewelry artist, creates bold fanciful pieces. His designs are for the fashion forward and worthy of a rock star. The Bachelorette, Ali Fedotowsky, wore one of his rings. His designs showcase the unexpected. One ring featured a transparent diamond slice that had a prong set diamond viewable through its window. Another piece featured a bangle studded with diamonds and large dangling baroque south sea pearls. Definitely not a piece for the shy and conservative!




There were several enamelists, each with a unique style. There were three that shined for me. Marianne Hunter creates stories using colorful gems such as boulder opals and combines them with vitreous enamels. Her work is mystical, mysterious and beautiful.







Another enamelist, Anna Tai, creates cloissonne art jewelry. She had several striking pieces that combined colorful vitreous enamels and matte black enamel. The matte black finish provides a great contrast to the colored enamels. Anna explained how she packs the enamel colors to create the vivid colorful effects.




My favorite enamelist is Karin Pohl. She works in the enamel technique limoges. Her work is absolutely gorgeous, like a painting from an old world master. Each piece is created in 18kt gold, enameled on both sides and studded with fine gemstones. I am drawn to look closely and marvel at the amazing detail.



This was a great show! Lots of inspiration. My creative juices are over flowing and I can't wait to spend time in the studio. I'm inspired to tackle another enameling project to turn in for my class project.